Late historian Stan Myers hosted Tuesday Jazz Jam for 19 years
The logo at The Crossroads club in Garwood is a man on a sax, his hair flying straight back. The artwork over the two emergency exits is of a jazz trio. If you look up in the rafters, a statue of Satchmo sits over the bar.
Crossroads is primarily known as a rock club, but jazz is in its DNA.
For 19 years, Crossroads held a Tuesday night Jazz Jam, hosted by Stan Myers.
"Fasten your seatbelts, the night is about to take off," was one of Myers opening catchphrases as the Crossroads' "All-Stars" jazz band took the stage.
Guitarists George Benson and Stanley Jordan once fronted the house band in guest appearances. Etta Jones and Connie Francis once sang there. Those were some of the big names. But the jam was also a showcase for up-and-comers and local talent, including teenagers, as long as they could play. This was no amateur hour or open mike night. The house band, led by organist Radam Schwartz, was top shelf. Sitting in with them was by invitation only.
Myers, a noted jazz historian and deejay was "the soul of the jam," according to club owner Lee Frankel.
His warm smile and affable manner complimented the smooth music. His knowledge and stories added substance. He had his own following, attracting the audience as much the musicians.
"He would introduce the players, and interact with them and them audience all night," Frankel said.
MORE: Recent Mark Di Ionno columns
"He was a jazz aficionado and certainly had the history of Newark jazz in his head," said Dorthaan Kirk, the community relations and special events coordinator at WGBO-Jazz 88. "Almost everything I learned about Newark and jazz history was from him."
Myers had a show at WBGO for several years in the 1990s and was one of the legendary jazz station's first and longest-serving volunteers. He also hosted a show at Seton Hall University station WSOU, in South Orange, and, most recently, at WPSC at William Paterson University in Wayne.
To say he was the venerable authority of the New Jersey jazz scene is as understated as a warm bass line during a hot sax solo.
Myers died in March at age 88.
Two weeks ago, the final Jazz Jam was held at Crossroads.
"It was the most painful decision I've had to make here," said Frankel. "It was piece of our soul. We had top-quality musicians. But to have a great jam, you not only need the musicians, you need an audience that wants to watch."
Frankel said that audience has waned for several years, so much so that he talked with bandleader Schwartz about ending the show well before Myers passing.
"It was an amazing run," Frankel said. "For a Tuesday night at 9:30 (showtime), we did okay for a while."
That was during the jazz resurgence of the 1990s when it seemed every downtown in suburban New Jersey had at least one jazz night in a local restaurant, if not a full-blown jazz club.
"We outlasted everyone else for, I'd say, a good 10 years," Frankel said. "I loved the jam so much, it didn't matter that I was losing money. I always wanted to have the best, and we did. But a few years ago, I had a conversation with the Radam about ending it and coming up with something else on Tuesday nights."
They didn't tell Myers and the jam held on until this month.
"I couldn't imagine doing it (telling Myers)," Frankel said. "Nineteen years. It's the longest relationship I've ever had."
After Myers' death, the regulars still came.
"We've had people coming here since the start, some for more than a decade," Frankel said. "Believe me, it was just as hard to break the news to them as it was to the musicians. They were just as invested in it."
It was also tough breaking the news to Myers' daughter, Khabirah Myers-Roberts.
"The jam sessions were apart of my father's legacy, but that legacy will endure beyond the Crossroads," Myers-Roberts said. "My father touched so many lives through the lessons he taught on jazz music. Every time he stepped on stage, every time he touched a microphone he used that moment as an opportunity to teach the world about jazz and its history. My father believed that jazz was a metaphysical art that had the power to transform lives and make the world a better place.
"I am incredibly grateful to the owners of the Crossroads for allowing my father to use their facility as a platform to educate and spread the message of jazz to so many people for so many years," she said.
Frankel says jazz at Crossroads isn't dead, it's just evolving along with the business.
The club is entering what Frankel calls full-service production of recording and video. One of the videos being used to market is pure jazz, featuring Jason "Malletman" Taylor, a protege of Lionel Hampton.
Jazz Jam is being replaced by Phat Tuesday Jam Throwdown, with Secret Sound & Friends.
Guitarist Kevin Hill is bandleader and he was also in the jazz All-Stars. Schwartz was his mentor and teacher.
"It will be a little more inclusive to other kinds of musicians," Hill said. "But jazz will certainly be represented."
Mark Di Ionno may be reached at mdiionno@starledger.com. Follow The Star-Ledger on Twitter @StarLedger and find us on Facebook.