Omara Portuondo admits she still gets nervous in front of crowds, but her performances are as vital as ever
When baby boomers with a touch of grey leave a concert after seeing 85-year-old Omara Portuondo, the usual response is, "I want to be her when I grow up."
Portuondo -- whose career was reborn with the unlikely international phenomenon called the Buena Vista Social Club -- radiates an enviable glow of warmth, joy and grace as she takes to the stage, as she will on Saturday evening at NJPAC in Newark. While she walks slowly these days -- after all, her tour is celebrating her 85th birthday -- her smile leaps out quickly and captures audience members' hearts.
Asked recently about the enthusiastic reception she gets from audiences, she said through a translator, "Oh my dear! I can't find the words to thank people." She adds, "I have to confess that still nowadays I get a little nervous before each show, but from the minute I see the audience and the music starts, my heart gets all the love and energy to sing."
Portuondo was never a belter, but was always a more elegant, intimate singer and her voice remains a lithe instrument. On this tour, she is sharing the stage with several top-flight jazz musicians, including Roberto Fonseco, Anat Cohen and Regina Carter.
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She said she will pick songs from her own popular repertoire and other Cuban classics,
while also letting the jazz guest stars take the spotlight on their own songs.
"I'm honored to be surrounded by so many talented musicians," she said. "All of them -- Anat, Regina and Roberto -- have an amazing sensibility to make the music even more beautiful than it already is."
Portuondo was born in pre-Communist Havana. "My first memory is seeing my parents singing in the kitchen," she said. "The radio was always on, and as I child I listened to that -- all the different styles they used to play."
While she initially began to work as a dancer at Havana's storied nightclubs, she began to sing at the Tropicana Hotel when she was eighteen, joining a group led by Orlando de la Rosa. A few years later, she joined the vocal group Cuarteto d'Aida with her sister Haydee, and they had enough success to tour the U.S. and open for Nat King Cole. She continued to tour with various performers, touching both jazz and Cuban styles such as the slow, romantic bolero and the stately danzon.
The Buena Vista Social Club, a multi-generational gathering of Cuban musicians playing older music that had mostly gone out of fashion, was a serendipitous accident. In 1996, after British producer Nick Gold was unable to do what he came to Havana to do due to
visa problems -- namely match African and Cuban musicians for a recording -- his team pulled together an impromptu group of Cuban players.
The resulting albums -- popularized by a documentary by director Wim Wenders -- were surprise hits worldwide, eventually selling more than five million copies and garnering a Grammy, catapulting the little-known musicians to iconic status.
In another impromptu move, Portuondo was asked to do a duet on the song "Veinte Anos" with singer Compay Segundo, who was 89 at the time. "I came to the studio and they were all there - it was magical seeing everyone together again."
"Then after the album was released," she continued, "I was invited to the shows in Amsterdam and Carnegie Hall, and I was invited to record on Ibrahim Ferrer's album, where we sang 'Silencio' together."
Portuondo, always a crowd favorite at their concerts, went on to release her own critically acclaimed solo albums, and today is the only surviving vocalist from the original Buena Vista lineup.
Asked why she thought the group was so successful, she said, "our roots, our traditions," adding that Cuban music blends influences from around the world and from multiple genres. "I think Cuban music is contagious for its energy and soul."
Portuondo's career in Cuba began in the high-flying days and nights of pre-Castro Cuba and now is seeing her homeland re-establishing ties with the United States. "Indeed both countries are getting together," she said. "I'm thankful for living and sharing that moment with everybody."
While Portuondo said she thought she would have continued singing regardless, the Buena Vista phenomenon "had a major impact on my life...I have had the opportunity to perform all around the world. Music is what keeps me young."
Omara Portuondo
When: Saturday at 8 pm.
Where: New Jersey Performing Arts Center, 1 Center Street, Newark
How much: $39.50 - 89.50; call 888-GO-NJPAC or go to www.ticketmaster.com
Marty Lipp may be reached at martylipp@hotmail.com. Find NJ.com on Facebook.