Responding to popular demand, "The Hip Hop Nutcracker" returns to NJPAC for its third holiday season.
Imagine Tchaikovsky's classic score for the "The Nutcracker" -- the opening overture, Act I's "March," the "Dance of the Sugar Plum Fairy." Now replace the ballet dancers on stage with a hip hop crew, with popping taking the place of plies and toprocking subbing for tendu.
Now it imagines it works and it works well. So well, in fact, that three years after "The Hip Hop Nutcracker" premiered with performances at the New Jersey Performing Arts Center and New Yorks United Palace of Cultural Arts, the show is selling out in 25 U.S. cities and returning to NJPAC again on Dec. 17.
"It's so much bigger than anything I could ever have imagined," said Jennifer Weber, the show's director and choreographer, who credits NJPAC's support for "making all of it possible." "People love it because we are truthful to the story and the music. Fans can see all the things they love. We show appreciation for the iconic classic while turning it on its head."
The upcoming production features 12 dancers -- six male, six female -- as well as an electric violinist, a DJ and Guest MC Kurtis Blow. Blow was the first commercially successful rapper, signed to a major label in 1979 at age 20. Having a DJ and an MC involved in the production makes sense, Weber said.
"Hip hop is a culture based on samples and we wanted to sample as much of 'The Nutcracker' as we could," she said.
Choreographer George Balanchine's version of the "The Nutcracker" ballet, which premiered in 1954, is the one most people know. It tells the now-familiar story of a girl named Clara who is given a nutcracker for Christmas. In her dreams, the Nutcracker comes to life and battles the vicious Mouse King to protect her. He then transforms into a prince, taking her on adventures. The show ends with Clara waking up holding the toy nutcracker.
In the hip-hop translation, the first act is a fairly faithful retelling but expect numerous twists. The setting is now New York City on New Year's Eve in modern times. The Clara character, here called Marai-Clara, is an adult. In the traditional mice versus toy soldiers fight, the mouse gang takes the stage wearing baseball hats with mouse ears attached and bomber jackets. Because of the wide variety of dance moves to choose from, the mice crew perform more breakdancing moves while the soldiers are "poppers and strutters," Weber said.
"In ballet, the choreography is similar for all the characters, but with hip hop we can create differences," she said.
The second act leaves the original behind. Instead of going back to the Land of Sweets, this show goes back to a disco in the 1980s where Maria-Clara's now-feuding parents first met.
Like the Balanchine version of the show, this production lasts just over two hours. But watch a video clip online and note how it seems to move more quickly.
"In the ballet version, there's a lot of gesturing and setting the scene. In our version, we focus on the choreography so there's a lot of high energy, big dance movements," she said. "We don't spend a lot of time entering a scene."
Weber wasn't familiar with the story behind "The Nutcracker" when she tarted the project. She soon realized she knew a lot of the music. She also realized that her hip hop-trained ear was picking up rhythms many people have probably missed.
"I'm not sure people realize how funky that music can be until they see how we've choreographed it," she said. "Hip hop dancers physicalize sound. It makes you hear different tones and instruments. Once you see what we do with it, you're never going to hear it the same way again."
The Hip Hop Nutcracker
Dec. 17, 3 p.m.
NJPAC's Prudential Hall, Newark
Tickets: $29-79, available at Ticketmaster.
Natalie Pompilio is a freelance writer based in Philadelphia. She can be reached at nataliepompilio@yahoo.com. Find her on Twitter @nataliepompilio. Find NJ.com/Entertainment on Facebook.